The Musée de la Musique produces one or two temporary exhibitions each season, which then often travel to other countries.
The exhibitions present a broad variety of subjects, open to all cultures and restoring ties with other arts, from the Middle Ages to today.
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The Musée de la musique is dedicating an exhibition to Serge Gainsbourg at a time when he is becoming globally popular. While contemporary pop musicians in London and New York are rediscovering the French artist’s poetic and melodic talents, Tokyo is seeing a veritable “gainsbourgmania”, with artists mixing and sampling his compositions.
Breaking with tradition, this exhibition - installation is a tribute by one of today’s artists to one of the greatest French musical personalities of the 20th century.
Painter, writer, poet, author, singer, composer, actor and director, Serge Gainsbourg (1928-1991) was an artist who, throughout his life, used images, and his own in particular, in all their forms, creating an aesthetic world which broke down the walls between “major” and “minor” arts.
The exhibition highlights the various aspects of his multi-faceted work, since
Gainsbourg acted as a catalyst of the times he lived in, as did David
Bowie in England and Bob Dylan in the United States.
He was always ahead of his time: his writing, compositions, collaborations,
aesthetic orientations and even his private life often preceded and
influenced the evolution of mores and artistic and cultural movements.
With Gainsbourg, sampling, mixing, remixing, borrowing, citation, self-quotations and diversions dominated, foreshadowing the images and sounds of today’s culture.
Curator: Frédéric Sanchez
In partnership with Institut national de l’audiovisuel (Ina)
Tuesday to Thursday, 12.00 PM to 6.00 PM
Friday and Saturday, 12.00 PM to 10.00 PM
Sunday from 10.00 AM to 6.00 PM
Open until 8.00 PM during Les années Gainsbourg concerts (22 to 28 October and 21 February)
Organised with the support of Miles Davis Properties, this exhibition by the Cité de la Musique follows Miles Davis’ musical and personal journey, from his hometown, East St-Louis, to his retrospective concert at La Villette in Paris, just a few weeks before his death.
Beginning in the mid Sixties, Miles Davis began printing “Directions in Music
by Miles Davis” on his albums, rather than just his name.
As a tribute to his visionary approach, visitors can discover each of
these “directions” along a pathway displaying photographs taken by the
biggest names in musical photography, video excerpts from his concerts,
instruments he or his travel companions played, rare scores and stage
costumes, documents related to the creation of his albums, original
releases of his great records, as well as works of art, paintings and
sculptures, testifying to an aura which vastly exceeded the sphere of
music.
Curator: Vincent Bessières